Williston Historical Society, Tessa Brimblecombe

We are now moving on to Tessa and her work at WHS, inventorying and arranging historic records. Learn about her process and key takeaways.

The Dorothy Alling Library. This is the original building on the current site. It is now known as the Vermont Room, home of the Williston Historical Society. https://damlvt.org/index.php/about-us/history

This past winter and spring I had the opportunity to intern with the Vermont Historic Records Program (VHRP) and complete a collections project at the Williston Historical Society (WHS). After a wonderful experience interning through this program at the Ethan Allen Homestead Museum in 2025, I was excited to begin another internship where I could get hands-on experience in the archival world.

During my initial meeting with Jane Cadwalader from VHRP and Adriene Katz and Aron Merrill from the Williston Historical Society, I was given a tour of the beautiful Dorothy Alling Memorial Library, and the Vermont Room where the WHS collections are stored. We spent some time as a group discussing the project and what the priorities were since I had one hundred hours to complete the project based on the available funding.

The most urgent priority was the collections closet in the Vermont Room, which had become crowded over time. My goal for this project was to create a better organizational system of identifying which collections were housed in the closet and then documenting where they were located in order to make the collections more accessible. There were also boxes on the floor that needed to be moved up onto shelves to better protect them in case of any environmental hazards like flooding.

My first step was labeling each side of the closet as well as the shelves and drawers. As I went through the collections, I inventoried shelf by shelf, and didn’t relocate anything until much later on in the process. As I examined each collection, I entered data about them into a spreadsheet, including a general description of the collection, the type of archival records present (e.g.  photographs, letters, journals, scrapbooks, negatives etc.), any available accession information, the physical size of the collection, and the date range.

Before beginning the inventory process, I was instructed about proper procedure when handling archival materials and how to identify condition issues such as improper storage, tears, mold, residue, and insect damage. Luckily most condition issues were minor, but learning about this helped me feel more comfortable when I did encounter issues. In the spreadsheet I highlighted items with condition issues that were high priority to make it easier to focus on collections that needed the most attention.

While inventorying the collections, I often encountered items that hadn’t been accessioned yet. I designated an area as a temporary “loading dock” for these items in order to make it easier for Adriene and Aron to identify them later.

Once I had inventoried all of the collections in the closet, I organized them and relocated some so that similar collections were housed together. I created an audiovisual section for photo and audio collections, and a news section for the newspaper and newsletter collections. During this process physical accessibility was often on my mind, and I focused on moving the lighter collections to higher shelves and the heavier collections to lower shelves. I also consolidated noncollection items such as WHS’s supplies, handouts, and equipment into two drawers.

After finishing this project, I had more hours available, which led to Adriene and Jane devising a smaller project to take inventory of the Vermont Room’s framed works. This included mounted works and framed items propped on shelves around the room. As with the closet, I measured each framed item and added information about it into a spreadsheet. I examined each item for condition issues and highlighted any I felt were high priority.

Lastly, as I inventoried both the closet and the framed works around the Vermont Room I created a short list of exhibit ideas and WHS materials that matched these themes and could serve as display materials in future exhibits. Due to time constraints this document is not comprehensive of all the potentially relevant collections, however it provides a starting point for creating these types of exhibits based on a selection of the archival items housed at the Williston Historical Society.

During this process of diving into the past, I frequently found myself thinking about the future. Will this system make sense to someone looking only at this spreadsheet? Is this organizational system conducive to research? How can I arrange these collections to be the most physically accessible? What items are alike and should be grouped together? As I went through these collections, it was fascinating to see what kinds of things people had felt were worth preserving, and the immense care that went into this.

Working on projects such as this one have transformed how I think of collections work, and historic preservation as a whole. As many in this field know, this kind of work often feels like sand slipping through your fingers, as there is always more to do and more to improve upon. It can feel neverending, and yet, it is so rewarding to see the transformation a collection can undergo! As many wonderful people have taught me, the goal is to leave a project in a better state than when you found it, and I feel confident that this project will allow WHS to move forward with more ease and efficiency.

I am very grateful for the support from the VHRP and WHS staff who worked with me to see this project through. Having the opportunity to organize and inventory such a variety of materials in a short period of time transformed the way I think about conserving collections. Months later, the skills I gained through this internship have informed my role as a Collections Assistant at the Lake Champlain Maritime Museum, where I have been cataloging a variety of collection items. Similar to my internship, my current work involves documenting what types of records are present, evaluating items for condition issues, and identifying commonalities between collections items. Rachel and Jane from VHRP have continued to be a valuable resource to consult on archival collections, and have been instrumental in my knowledge of archival methods and best practices.

Milton Historical Society, Madeline King

VHRP was grateful to place two interns with MHS! This week, Madeline King reflects about her time processing the Milton Historical Photographs Collection.

This summer, I had the opportunity to intern with the Milton Historical Society and Museum through the VHRP internship program! My co-intern Isabella and I worked with MHS board members to devise a way to sort and accession their photographs to be more accessible to the Museum and the public. As a recent graduate of UVM’s Anthropology program, I have been looking for ways to gain experience with museum and archival work before finding a graduate program to continue my education. I chose this internship because it let me learn more about archives in Vermont, and I was excited to be paired with MHS because it is close to where I grew up in Fairfax! By the end of this internship, Isabella and I sorted the large collection of photos for MHS and began accessioning the photographs, establishing a system that can be used for future images as they are acquired.

Every Wednesday since May, Isabella and I went to the Milton Museum for eight hours to work through their photograph collection. We began by sorting photographs into general categories like People, Places, and Events. Then we went through them again to divide the photographs into folders of related images– these could be as broad as “Female Portraits” or as specific as the “Milton Boro Cemetery”, depending on the amount of photos we found that fit into each category. Most of the images we worked with were printed photographs, but we also found some tin types, daguerreotypes, negatives, and even an etching!

Once the photographs were sorted, we started documenting them in an Excel spreadsheet. This information will eventually be put into the PastPerfect software used by MHS for their artifact database. We gave each photograph an Object ID, wrote descriptions, and kept track of other information that corresponded to Dublin Core data standards. We accessioned over one thousand photographs before coming to the end of our internship with MHS, and there are still more to go! Even though we did not finish logging their entire collection, our work set the Milton Museum up for the future as they continue to acquire photographs and gave them an idea of what images they already have. These categorizing and accessioning standards that Isabella and I established are helpful because MHS can now find images in their collection quickly and easily. Their ultimate goal is to digitize these photos for the community to access, and this was a crucial step in the process.

This internship gave me valuable experience and connections with the historical and museum community in Vermont. I learned about the process of archiving a large collection of photographs, and what that can look like when working with collaborators. It was amazing to have another intern to consult with and ask for help when I was stuck, like with some of the old handwriting! I am much more confident in my abilities to discern categories of photographs and how to decide pertinent information to include in an accession page. Additionally, Isabella, the Milton Museum board members, and Jane from VHRP were great connections to make in the Vermont archival scene, and I hope to keep in touch to continue to volunteer or work with them!